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The Jaw for the Job, the Heart for the Sin

by Brewer's Row

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1.
Benny 04:35
Benny Benny said he’s ready to be a real man Ready for the bars and the women Yeah he’s got a gun in his hand Gonna kill his old man and hit the road running Well he’s just seventeen but he knows the routine Yeah his daddy taught him well with a bottle and a belt Oh this town can go to hell But things never go like planned And his momma interfered and he couldn’t think through his sister’s tears Thinking back it was never so clear But he could see by the blood on his jeans that He wasn’t dreaming when he heard those screams And he said, “How could they defend him?” and “How could they pretend to love the hand that strikes them?” and “How can the ones you love ask you to take back an act of justice? Isn’t it justice that makes us human anyway?” Well now Benny’s on the run, the first degree, a loaded gun And his high school picture poster’s at the deli and the grocer's In every town he goes So he grows a beard and he shaves his head And he says “Young Benny’s dead But he don’t get no service. Oh, that kid don’t deserve it. I’m a real man now” “Yeah my life’s in my own hand My own feet to stand on My old beat been long gone Got street smart and head strong And it beats getting old In the town where you’re told That you’re gonna be nothing You’re gonna be nothing” Got some cash from the odd job And stickups and stores robbed And TVs car batteries He didn’t have to beg, he didn’t have to bleed He took what he needed and he called that free. But the crimes caught up And the time he bought by running Got to feel like next to nothing, But nothing could drown that feeling With the weight of a history of misery In the break of a wave of memory Was it better to be a public enemy? With his life in his own hand His own feet to stand on His old beat been long gone got street smart and head strong and it beats getting old In the town where you’re told That you’re gonna be nothing You’re gonna be nothing” So with his face in the papers The cash in his pocket couldn’t get a man nowhere But everyone knows him And he’s finally someone Benny got what he wanted Benny stopped trying to run So everyone looks at the man with the gun And everyone listens to the man with the gun What does he do now that everyone’s listening And he’s holed up and surrounded on live television? He says: How can a fire burn on forever? How can you cry with a man that knew better? Well my body may try to extinguish the embers But I can’t really die if it’s me you remember Benny said he’s ready to be a real man Ready for the bars and the women ©2005, Nicholas Hohman
2.
Stone Wall 03:34
Stone Wall I thought I’d buried our stories Away from the valley But you’re looking worried The hillsides are crumbling Hurry they’re coming But something ain’t right here I feel your heart thumping Why ain’t you running? This town is all rallied Us lovers are guilty Our hours are slipping The rivers are spilling These people will kill us The hillsides are crumbling The oaks are uprooting Our stone walls are falling Our roads are all guarded They’re tying the nooses But babe you ain’t running You stand like a statue Braced against high winds You started crying I was staring right at you You yell "Stand up, stand tall" It’s our love after all We’re a, stone wall Hold my hand and stand tall This town’s a steam engine I’ve seen the faces of friends in passenger cars People, go dowse your torches Drop your pitchforks and get back to your porches and Sit in the dark It’s a damned dirty trick to live Picked up tail ends of tales in the wind and then twist them to truths You could have made diamonds from dust or bridges from rust But you just make shit out of love Why don’t you stand up, stand tall It’s just love after all We’re a, stone wall Hold hands and stand tall Well Babe, that was something The way that we stared down the whole town and Shook up this old ground And it was something The ways sounds travel out to the outskirts and back, Wait a second what’s that? Running start running Women and children The old and the young men Its happening again The country’s on fire Their ears burning red Their eyes open wide with surprise Mouths running wild Have you heard what they said? Have you seen what they did? Stand up, stand tall It’s our love after all We’re a, stone wall Hold hands and stand tall ©2005, Nicholas Hohman
3.
Full Moon 05:27
Full Moon You’re trying to fix me, I’m not willing to change I’ve been searching for loopholes, you’re seeing what I ain’t It's one more fight before a long night And it's one more sigh before a good cry We ain’t got long before its goodbye Goodbye Good try, good try, good try You’ve got it together and I’ve fallen apart I’m twisting my instincts to fit into your heart And it’s two or none before I give in And it’s too far gone for either to win And you won’t let go and you won’t embrace it Embrace it Let's face it, Let's face it, Let's face it Full moon, night sky, good heart, good guy Right time, wrong life, blue heart, reprise I can’t help resisting, you’re sorry for not You can’t help assuming, I can’t promise that Either I can’t speak or you can listen And if I quit now we’ll call it treason But a soulless line is hard believing Believing So I’m leaving, I’m leaving, I’m leaving Big dreams, big step, long road, regret My hate, my faith, my needs awaken ©2005, Leah Hohman-Esser
4.
Track 4 00:05
Track 4 I think I'll sit I think I'll I think I'll sit
5.
Underdog 04:46
Underdog I think I’ll sit and take the hit in the end Let the muscle run the hustle throw the fight to the wind I got the jaw for the job, I got the heart for the sin I’ll leave this town without a sound, without a word, without a friend A heap of dirt I lie unhurt on the mat In the shadow of a fighter “Get up off your back” he says “Get your gloves to your face, get your boots relaced I don’t need your help to beat a sellout washed up eyesore basket case” I used to be an underdog I used to need the heart to drag my body off the ropes I used to sleep with my gloves on I used to keep my head screwed on with nothing but my hopes The tiger lies dull eyed his tail hangs limp from the cage In the office of the profit where I gather my pay And he allows my stare to linger just a moment before he turns away And the press and betters fight for sights find headlines in my masquerade Well I push through the crowds alone long abandoned by my entourage And they shout loud, my head stays down, “Why’d you throw it, Mac?” is the question they ask Past angry bastards lost to vice and lost twice if you count my fight But tonight is the last night I’ll be seen dead or alive in this city’s lights I used to be an underdog I used to bleed a quart before I let my body get the best of me I used to fight to beat the clock I used to wear bruised eyes and busted lips like morbid trophies I found my fists. I’d been fighting for four years When the first hit stuck, it felt like luck but luck could never last so long It was the dawn of a new age, the first page my new ways I didn’t need soul with a machine’s degree of control I didn’t need heart with a clear face The money wasn’t bad from winning and neither were the women But I got caught up in things found what trouble brings when I tried to bring my game outside the ring So when the sirens sang and the spotlight brought light to my newfound night life A dark eyed man extended hands with a way out, all the way out I used to be an underdog I used to give my body to the fight to keep my soul But now my body’s all I got Two hundred pounds of meat and skin and bones is getting cold I used to be an underdog I used to need the heart to drag my body off the ropes I used to sleep with my gloves on I used to keep my head screwed on with nothing but my hopes I used to be an underdog ©2005, Nicholas Hohman
6.
Lucky Day 05:51
Lucky Day You eighteen wheel cowboy, you everyman's brother Climb the cab, kick the clutch, turn the key, feel her shudder You gray bearded nomad, you highway-born child Trucking lumber across America, for a quarter per mile Pull onto the shoulder, between Denver and Boulder I stand holding my thumb up, guitar slung across my back, watching my breath rest in the cold air Soft words come from your rumbling lungs "It's our lucky day, son" You ask me, "Can you make that old guitar music? Can you carry a tune? My radio broke back past Idaho. I got fifteen hundred miles of pavement to offer you You got a ticket to ride in the passenger's side Long as the songs ring off the rocky range Long as you play the plains of the Midwest away Long as you're bluer than the grass in the southern states Long as you can cry with the clouds in the northern grey" I'm a lonely hitchhiker. Please take me where you will You took us across Kansas, through Missouri, down Kentucky, to Nashville Driving the line beneath the rift in the sky Where bruised clouds riding twisters Met blue skies lined by live wires Soft light comes from a humbling sun It's a lucky day It was around Kansas City I'd settled my seat At least enough to speak while I was changing my strings "How's a rag-tag freeloader like me, get along on the road Not just a warm cab and the fast track, but an open ear I can sing at?" You said "My old man was a cross-country driver He rarely spoke, but these words set me fire 'Ain't no better charm For an eighteen wheel cowboy Than a man and his guitar Trading songs for the countryside'" So don't pass by a traveler With music to offer Because in twilight the bastards Of devils and monsters Will weigh on the eyelids of Of road weary truckers Without the kindness of strangers The heaven sent ushers And I sang to the thunder Tuned my strings to the tires Strummed ballads of travelers Told the stories of liars Until as the crow flies it's a quick hike To the Pennsylvania state line Soft songs come from my trembling hands It's our lucky day, friend ©2006, Nicholas Hohman
7.
Please, Please, Please, Please I deny, depressed and wry And guess at weights, my legs drag on To stay the night To fight, to die It’s hard, I said Come hold my hand Come hold my head Against your knees Baby please, please, please, please I found the nerve, but I lost the need Baby please, please, please, please My grasp exceeds the past that I dreamed And I had it, oh I had it, but I grew weak But I never looked away No I never turned my head away But I never looked away No I never turned my head away I abide by rules and lies I tried the fire, I tried the ice My smiles are tied now to rows of rye It burns me alive from the inside While I try to cry just to prove to myself that I’m still alive Baby please, please, please, please I need your breath, I need your eyes Baby please, please, please, please To bleed, to sweat, to scream, to cry Oh and I had it, oh I had it but I grew weak But I never looked away No I never turned my head away from you But I never looked away No I never turned my head away from you ©2007, Nicholas Hohman
8.
River Charms 07:22
River Charms You got a lot of guts turning your back on this little river town like that Like it ain’t tough, your mind’s made up and the tide ain’t a joke, it’s a fight, who’s laughing? It’s past midnight. This is the last cry for reason you’ll get from me. It’s a hell of a night. Stash your maps and charts below, cause the wind is blowing fast and hard and cold let’s go But a bridge is never far from you, the darkness splits apart for river lights Start your engine hard and set your sights ‘Cause the kids will always be racing down the shore, trying to chase your wake To stake their claims on river charms the boats you carved the beads you made. The scars on your hull tell the tales of splitting barges and river walls racing the law The dirt in your nails disappears when you lay hands on the sweat stained grip of your wheel You use them floor boards for bedrolls and a brick for a pillow Fill all your gas cans with boat fuel and glass jars with the local brew You pass cars on flood banks, gut them for steel plate Its never too late for leaving It’s never too late But a bridge is never far from you, the darkness splits apart for river lights Start your engine hard and set your sights ‘Cause the kids will always be racing down the shore, trying to chase your wake To stake their claims on the river charms the boats you carved the beads you made. It took Sunday when you tied up and set foot on our dirt ramp Until Tuesday when you hightailed, Sheriff barely on your trail Like a piper with promises as long it’s a fair trade I guess I broke the deal we made, so you claimed stakes and slipped away With the kids racing down the shore, trying to chase your wake, To stake their claims on the river charms the boats you carved the beads you made. Yeah, the kids will always be racing down the shore, trying to chase your wake To stake their claims on the river charms the boats you carved the beads you made. A bridge is never far from you, the darkness splits apart for river lights Start your engine hard and set your sights ‘Cause the kids will always be racing down the shore, trying to chase your wake To stake their claims on the river charms the boats you carved the beads you made. ©2006, Nicholas Hohman
9.
Silence Like Crystal Silence like crystal It's clear but it's fragile And my hands in fists still I missed you, I missed you You said that you missed me But flinched when you kissed me Been shit since it hit me You hate me lately And I been debating is Stating the obvious Going to be the best way I pile my troubles and Struggle through rubble Just trying to find the next day And you tasted my love And you tested my love But it wasn’t enough For you, no it wasn’t enough I’m not done talking yet I might just have to let You sit and watch me decay Well I crawl on all fours Just to get to your door And I scream you ignore me away But I know that you’re in there I’m scared as you stare through your Window you watch from above And there's holes in my knees And I won’t go to sleep Not until you admit this is love And you tasted my love And you tested my love But it wasn’t enough For you, no it wasn’t enough Silence like crystal It's clear but it's fragile And my hands in fists still I missed you, I missed you ©2003, Nicholas Hohman
10.
Cinderella 04:28
Cinderella Early afternoon and your head is on the pillow You’ll be leaving soon and nobody will know You’re not asleep but you’re drunk with desire Your skirt’s a little shorter but the stake’s a little higher So out the window and down the dirt road In another hour at the 7-eleven Prince Charming picks you up in his pickup truck You’d sit next to him but his buddies ride shotgun And its not what you expected Dirt on your skirt in the bed of the Ford At least you’re not rejected He flirts with the clerks at the liquor store Your pride is still protected You duck out of sight as a neighbor drives by Your tears are kept in check, the Best still to come as the night is still young He skids to a stop you notice the sun’s heat Parked at the dance hall he changes your plans His boys walk off you get in the front seat Sharp as a band saw he touches your hand You don’t care it’s what you wanted anyway Today wasn’t any day as he pulled away from the hideaway You were there. You felt the things you wanted to Until he felt the night was through and he was through with you He left you too Walking home All alone Now your sorry that you Said what you said Did what you did Didn’t look the other way Didn’t stay Should have gone away Now it’s much too late Done the deeds you hate Left it up to fate Nothing left to say That was your day Now it’s over, it’s over The clock strikes twelve and its back to the same old hell One chance Just one dance You had big plans It was your last stand It’s past and The bastard is passing for Prince Charming again Cinderella When will learn, learn, learn? Cinderella When will you learn? ©2002, Nicholas Hohman
11.
Three Letters Buddies in battle all tattered and rattled Like bastards in pastures revered and reviled The bitter faced gunners with tracer laced thunder Lay waste to a hundred stark hearted believers Truckloads of youngsters packed tight in their bunkers Giddy with gun smoke and pretty with hunger Drumming on helmets and counting down minutes Till their turn to line sights with veteran cynics My chinstrap clipped loose Nightlights shine off the guys’ eyes On recon across Baghdad’s southwest border It’s those damn quiet nights that just don’t feel right And you can’t hide yourself in a two ton truck You check the fluids and the tires, and you clean the guns And cross your fingers, keep your head up and your eyes pried Cause it’s your senses not your weapon that’s gonna keep you alive Cross your fingers, keep your head up and your eyes pried Cause it’s your senses not your weapon that’s gonna keep you alive Well my name is Peter, trained med from Toledo Ohio, joined up to buy time and a dime for my schooling My best pal was Davy, Had a kid and a lady She was just seventeen when she told him, “I’ll Wait right here, faithful and holding our baby” “Honey, don’t cry,” he said, “I’ll be back before he takes his first steps” They say it ain’t bad out there We got safety in numbers Got hundreds of brothers Got guns trucks and armor Got trained as a soldier Eight miles in full gear My M16’s clean, blessed by God Got to go, Dear Exposed, we rode side roads, dirt clouds grow behind us Alley’s shadows swing closed like doors and it just reminds us That no one knows a child from a killer if all you see is silhouette figures Who could guess what next turns bear explosives’ taut triggers So cross your fingers, keep your head up and your eyes pried Cause it’s your senses not your weapon that’s gonna keep you alive So cross your fingers, keep your head up and your eyes pried Cause it’s your senses not your weapon that’s gonna keep you alive Shook hard by an IED Scattered morphine and IVs Flipped the truck, fire due east From guns in the alley And my ears were still ringing Roll to cover, hold position Felt a hand at my shirt sleeve Turned to see Davy singing He sang “God, getting shot don’t burn nearly as much As the flash of the past that I barely touched God, getting shot don’t spill near as much blood As the blood that I was passed from my father and mum God, getting shot can’t spill near enough blood To take back from the blood that I’ve given my son” So cross your fingers, keep your head up and your eyes pried Cause it’s your senses not your weapon that’s gonna keep you alive His last breath as a man is his last breath as a soldier “It’s colder than I thought it’d be,” I read his lips as his hands let go of my shoulders My blood cross embossed across his red cheek where I held his head to my chest My friend left me with three letters, each folded crisp and fresh ink address Like he knew that today was the day and of course he would’ve only gone the soldier’s way One to his mother and father, one to his lady, and one to his son. His name was also Davy. ©2005, Nicholas Hohman
12.
In the Ether 06:37
In The Ether I sing a song, says I'm sorry She says its all in the ether I'll be along in a hurry Not a worry, on the outside Well I think I see something settle Could be the lights in her eye Well she stands so striking and simple And so sinful, in the night Oh and I, I just sift through the sighs And I see her break down But I can't see, through my own eyes, Through her disguise, my, my She said she’d settled for better That I let her slip away I should have climbed cliffs to get her, Crossed a river, walked for days Oh but I, I just stood and watched Her walk away from me Oh and it hurts, but that’s okay It’s my own fault, oh it’s my own fault anyway That’s what she said, and I believe her Well I spoke a word in a moment I turned some heads out in public I never meant to accuse you To abuse you, just amuse you Oh and I, I just called out your name But you ignored, oh you ignored my words Babe that’s ok, I’ll go away Hanging my head, dragging my feet, baby I’m beat ©2004, Nicholas Hohman

about

Rege Behe wrote in the Pittsburgh Tribune Review, August 19, 2008 -

A New Find

Every so often a CD comes over the transom that is breathtaking, engaging and totally unexpected. Right now, I'm listening to Brewer's Row, a band I'd never heard of until last week when I got an e-mail about an upcoming CD release party. Messages like this fill my in-box, and some of music, to be charitable, is of dubious quality.

But "The Jaw for the Job, The Heart for the Sin ... " is one of the better albums I've come across this year. And yes, this quintet is from Pittsburgh, hailing from the North Side, the South Side, and Gibsonia.

I don't know much about Jarrett Sallows (drums), Travis Houck (bass), Nicholas Hohman (vocals, guitar, trombone, accordion), Leah Hohman-Esser (vocals, piano) and Mark Hohman (vocals, guitar). Mark Hohman is the father of Leah and Nicholas, and the name of the band comes from a practice space near Pittsburgh Brewery. I'm not sure if they meant the Penn Brewery, or Pittsburgh Brewing, but it doesn't matter. The songs are so mesmerizing, I don't want to break the spell by getting bogged down about who did what where.

I hear strains of early Springsteen, Tom Waits, Joe Henry, the Willard Grant Conspiracy, The Band and 16 Horsepower in the mix, but what's impressive is how Brewer's Row takes those influences and adds its own imprint. Right now, I'm impressed most by the songs "Stone Wall" and "Underdog," but you can pick any track on the CD and not be disappointed.

How to file "The Jaw for the Job ... "? Americana? Roots? Again, it doesn't matter how it's defined. Let's just say it's smart, intelligent and compelling music.

credits

released August 23, 2008

Brewer's Row:
Leah Hohman-Esser - Vocals, Piano
Mark "Pap" Hohman - Vocals, Guitar
Nicholas Hohman - Vocals, Guitar, Harmonica, Trombone, Accordion
Travis Houck - Bass Guitar
Jarrett Sallows - Drums

With help from:
Mike Hutchinson - Saxaphones
Lauren Klemm - Vocals

Produced by Chris "Lurch" Rudyk.
Recorded and mastered at Broadcast Lane Studio.

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Brewer's Row Pittsburgh, Pennsylvania

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